During this week in mixed media we have completed the laser challenge. This was good to finally get to use the laser cutter, as trying to create an idea and not really understanding the laser was tricky, not really knowing what we can achieve out of this process. I have found this week tricky as have not really felt inspired by the linear drawings we did last week. I do not feel this was a good basis for the set task.
Friday, 5 December 2014
Contextual References
Anne Kyyro Quinn creates interior textile pieces, rich textures and striking motifs.Anne Kyyro Quinn's sculptural approach is a new genre of textiles as it is more three-dimensional rather than flat surface. I am inspired by her work as it is very natural, the shapes she creates are very organic. I feel that this element is what I most admire about her work. She mostly works with Felts, this is a lovely material to work with as it holds its shape well but yet still looks soft, not too harsh.
Ealish Wilson |
Ealish Wilson is a fibre artist and textiles artist, inspired by travel, fashion, photography and traditional sewing techniques. There are many quality's of her work which I am inspired by, one is the use of material.Ealish uses material which I would not myself use but work very well and look very effective. I also love the scale, though I prefer working on a small scale focusing more on detail, the large scale which Ealish works at looks stunning as her techniques turn into pattern like pieces.
Matt Shilian |
Matt Shilian creates three-dimensional sculptures, with the basis of folds. ''Guided by wonder, my work is made because I cannot visualise its final realization;'' I am fascinated by Matts work as it is so detailed by yet his techniques seems so complicated. In particular I love this piece, the colour choice is lovely, very neutral colours, making the piece look like a natural form.
Aleksaundra Gaca |
Giles Miller |
Giles Miller Studios is a London based design practice, developing surface and interior design projects. I particularly like that Giles work is more relief than three-dimensional. I like this as it shows how effected relief forms can be. I also like the colour choice, the subtle cream colour makes the harsh shapes look soft, both these elements complement each other very well.
Sunday, 30 November 2014
Mixed Media Week 1
Using illustrator on the apple Mac computers was an exciting and useful process, I found that I got the hang of it quite quickly though I was struggling to come up with ideas in which to then develop to the laser cutter.
Sunday, 23 November 2014
Independent Week Activity
During this week we were asked to undertake independent
activities that will help prepare us for the sampling unit, and one group
activity that took place on Friday. We were asked to gather visual research in
a range of different ways from these three places: Visual Resources at MMU, The
Holden Gallery and The Manchester Museum. During these tasks we where to take into mind
Data, Collections and lists. Visiting the Visual Resources was interesting,
this was a collection of slides collected over many years, in draw containers,
liking to many different topics like fashion, architecture and many more. these
were lovely and the way they were presented in the plastic sleeves could be
classed as list all part of a collection.
The Manchester Museum was very exciting, we were asked to
document our journey there. I chose to do this by taking photos of the street
name signs I saw on the way there. This didn't mount up to a large list, but documented
my journey well, I then went on to sketching a few. Whilst at the museum I took
many photos, and when looking through my photos and the museum I decided to
focus on pattern, I was particularly inspired by the collection of shells and
their patterns. I have documented these in my sketch book in a range of media.
On Friday we had a group activity which involved getting in
small groups of about 5 and discussing our work and struggles during the time
so far. I didn't think this was the best way for the group to join together but
still I found this nice to see other peoples work and what they had been up to
in their own areas.
Wednesday, 5 November 2014
Artist Research for Construct
When researching textiles artists, Nanna van Blaaderen
really caught my eye. Nanna van Blaaderen is a Knit designer, fashion designer
located in Amsterdam, Netherlands. Nanna's latest knitwear collection 'More or
Less' is inspired by organic form, animal and nature. Using thick woollen yarns
in off-white colours and experimented in combining knitting techniques with
braiding techniques. I am really inspired by Nanna's work, I find it very
beautiful in the way they sit on the body, and the scale of the work
looks very playful yet sophisticated.
"Fashion is so much more than a piece of fabric and a sil-houette.
Hard, soft, furry, smooth, rough, fine, open, closed, warm or cold, even the
finest layer of textile can change the human figure from being naked and
vulnerable, into being protected, strong or seductive."- Nanna van
Blaaderen.
Her work, in my opinion, looks elegant on the human body, although alone as
an object looks very structured. I love the way the work is displayed and
photographed I feel it is subtle but effective.
Origins Evaluation
During my time on the origins unit, I have found it to be very exciting and experimental. I have loved being able to have the opportunity to try out a lot of new techniques. Firstly placed in Embroidery learning and working with machine and hand embroidery. I enjoyed this area and I feel that I have learnt many new techniques, and found myself getting better at it the more I do and practice. During the embroidery I found that I much preferred machine embroidery as opposed to hand, as hand for me was too slow and time consuming. I enjoyed machine embroidery much more because it was more fulfilling, as it feels as though you are making more progress, which I think is more important to me.
Most recently I have been in the area construct on the knitting machines. I
have really enjoyed this. I feel that I enjoy this much more than embroidery,because the knitting machines work at a much faster pace and make the work look very professional when
complete. During the lessons, we have been taught many varieties of techniques
to manipulate the knitting, also learning more about different yarns and what
effects they have to knit with. I am finding it harder to relate to my drawings when I use knit than I did in embroidery. However, the more techniques I learn the easier it is
becoming. During the drawing days, we have been focusing on colour, using our objects as a starting point. Using the drawings, we removed the direct colours and turned them into yarn wraps.
The colour has been the focus when creating samples. I feel that my samples are a good representation of my drawings as they all utilize neutral coloured yarns, which are the colours that emphasised through in my work.
Wednesday, 22 October 2014
Connections between Embroidery and Drawing
When asked to create an embroidered sample based on one of my drawing, I picked this drawing piece as it had a lot going on within it, lots of linear marks and neutral colours which I thought worked well together. I recreated this on fabric using the free motion footer on the sewing machine to create circular marks that occur frequently in the drawing. I also bondawebbed circular shapes onto the fabric to add the blocks of colour, all neutral shades like the paint on the drawing. I also added subtle hand embroidery. I feel that I now make the link between embroidery and drawing more then I have done in the past, thinking about mark making and colour within my work both on paper and fabric.
Monday, 20 October 2014
Critical review of time so far within Origins unit
During my time on the origins unit so far I have thoroughly
enjoyed learning new techniques within embroidery, such as being inducted on the machines. I feel as though my
knowledge of textiles embroidery both machine and hand have grown, through practicing
new stitches and creating samples with the methods to make sure that I really understand
how to achieve them. I feel that my skill of hand embroidery has grown massively,
in that I now find it easier and a lot quicker to achieve what it is I want to
achieve, taking into consideration the materials used i.e the choice of fabric
and threads and what effects they will have on my work.
During the embroidery sessions we have been pushed to think
about the relationship between embroidery and drawing, I feel I understand and
can make the link more now between these two than I could before, by practicing
and thinking about my work and what I am doing. During the drawing days in
which we have mostly been thinking about this we have been doing some blind
drawings along with many other things, but the blind drawings in particularly
caught my interest, I really enjoyed this technique as the drawings looked very
free and unusual. We then went on to making this into a sample, thinking about
the drawing and embroidery as one. Knowing everything the machines did and
different hand stitches helped me create a sample appropriate and interesting.
My engagement with embroidery was a good experience.
Embroidery was my first area of practice to be placed in, next is construct, I
found that it was very enjoyable and a relaxed way of working even though we
had work to complete out of class. I am managing my time very well and am finding this a lovely working environment
and feel I am settling in to the routine
well.
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